Mona Hatoum is a Palestinian artist whose pieces are concerned with confrontational themes such as violence, oppression and voyeurism, often in reference to the human body. Conflict arises from the juxtaposition of opposites such as beauty and horror, desire and revulsion. Until 1988 Hatoum worked mainly with video and performance, but since 1989 she has concentrated on making installations. She has created a number of works using metal grids which allude to physical violence and imprisonment, notably Light Sentence .She has also explored these themes in a number of smaller sculptures based on items of furniture and household appliances such as the piece shown here.
Artemisia Gentileschi born in Italy in 1593 was the daughter of well-known Roman artist, Orazio Gentileschi. She was one of the first women artists to achieve recognition in the male-dominated world of post-Renaissance art. In an era when female artists were limited to portrait painting and imitative poses, she was the first woman to paint major historical and religious scenarios.
Cindy Sherman does not consider her work feminist, however many of her photo-series, like the 1981 Centerfolds, call attention to the stereotyping of women in films, television and magazines. Sherman works in series, typically photographing herself in a range of costumes. To create her photographs, Sherman shoots alone in her studio, assuming multiple roles as author, director, make-up artist, hairstylist, wardrobe mistress and, of course, model.
In her landmark 69 photograph series, the Complete Untitled Film Stills, Sherman appeared as B movie style actresses in all of the shots.
Nan Goldin addresses issues of gender (one of her themes is the pressure on men to behave like men, and where that leaves women).Her work is most often presented in the form of a slideshow, her most famous being a 45 minute show in which 800 pictures were displayed. The main themes of her early pictures are love, gender, domesticity, and sexuality; her photographs are usually shot with available light. She has affectionately documented women looking in mirrors, girls in bathrooms and barrooms, drag queens, sexual acts, and the culture of obsession and dependency. The images are viewed like a private journal made public.
Judy Chicago is an American feminist artist and writer known for her large collaborative art instillations pieces that examine the role of women in history and culture. She coined the term "feminist art" in 1970’s and founded the first feminist art program in the United States. In her famous piece of work The Dinner Party she explores Women’s history. The sculptural piece consisted of a large triangle, which measured 48-feet by 43-feet by 36-feet, consisting of 39 place settings. Each place setting would commemorate a historical female figure, such as artists, goddesses, activists and martyrs. The project came into fruition with the assistance of over 400 people, mainly women, who volunteered to assist in needlework, creating sculptures and other aspects of the process.
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